Woodcut taken from ‘Syria and the Holy Land’ by Walter Keating Kelly, published in 1844 by Chapman and Hall, London.
Chromoxylograph taken from ‘Das heilige land und die heiligen Stätten’ by Dr. J.A. Messmer, published in 1860 by Vogel`sche Verlagshandlung, Munich.
Steel engraving taken from ‘Jerusalem revisited’ by W.H. Bartlett, published in 1855 by Arthur Hall, Virtue & Co., London.
Aquatint taken from ‘Views in Palestine’ by Luigi Mayer, published in 1804 by R. Bowyer, London.
Aquatint taken from ‘Descrizione della Palestina’ by Giulio Ferrario, published in 1831 by Dalla Società Tipog. de’ Classici Italiani, Milan.
Tinted lithograph taken from ‘Illustrations of Jerusalem and Mount Sinai’ by Francis Arundale, published in 1837 by Heny Colburn, London.
Tinted lithograph taken from one of the most iconic books of this area in this era, titled ‘The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia’ by David Roberts, published in 1855-56 by Day & Son, London. Originally published a decade earlier in folio format.
Tinted lithograph taken from ‘Voyage en Orient’ by Alexandre marquis de Laborde & Léon comte de Laborde, published from 1837 onwards in installments by Firmin Didot, Paris.
Lithograph, finely coloured by hand, taken from ‘Afbeeldingen van het Heilige Land’ by J.M Bernatz, published in 1839 by Johannes Müller, Amsterdam.
Daguerreotype, taken from ‘Excursions daguerriennes’. An iconic plate in that respect that this is the first time that the city is shown on a picture taken by a camera. Published in 1842 by Lerebours, Paris